Straight Shootin' with Mick Foley

The Good
Mick Foley delivers nearly four hours on his career from approximately 2000 to 2005. They talk about his time as WWF Commissioner, his feud with Randy Orton, his thoughts on Ric Flair and his novel writing experiences. His reflections on the importance of the feud and in particular his Hardcore match with Randy Orton and how crucial it was to getting the rising star over are interesting. Gabe Sapolsky repeatedly brings up the WWE writers, which Foley never buries out-right (as it seems the ROH booker wants him to), but he does give some critical and thoughtful comments on their role and how that refocusing has negatively impacting the WWE. The highlight of this, not surprisingly, is Mick Foley's thoughts on Ric Flair. He famously blasted Flair's poor booking in WCW, but Flair gave him an unfair, uneducated and unflattering (to Flair) receipt in "To Be the Man." Flair's name comes up again and again, but they save the heavy stuff for the finale. Gabe reads Flair's passage about Foley and the man himself rebuts it pretty handily. He reveals flawed research, flawed logic and ultimately gets his point across that Ric Flair is not a very reflective person. A burial of another talent that is different than you'll hear in any other shoot.

The Bad
If you take that Flair part out, this was a long and, at many times, boring interview. Foley goes on the assumption that you can remember much of the minutia in his matches, angles and such, which I can understand…but I couldn't remember a lot of those details. When I first listened to this, perhaps, but five or so years later this interview seems to be so limited in scope and dated in content. This is often a case in the latter part of a shoot interview, but this issue was constant. I can also imagine many would find much of this to be dull except for the Flair highspot. I probably would have given this four-stars or better when it happened, but this simply does not stand up very well.

The Rating: 
***1/2

Jim Duggan [Straight Shootin' Interview]

The Good
"Hacksaw" Jim Duggan is one of pro-wrestling's great acquired tastes. I had a cousin who absolutely loved him. I know a lot of "smart marks" cannot stand him. While he was not my favorite later in his WWF run, his Mid-South stuff is wildly entertaining and his later days in WCW were great in their own way. His character is definitely an extension of his real-life personality and that comes across strongly here. I cannot remember another shoot interview (and they're often conducted in the wee hours of the morning) where they had so many problems with disturbing others due to noise. I guess if you have someone yelling "Hooooo" and chanting "U-S-A!" at regular intervals, you'll have issues with the neighbors. Aside from all that, Duggan is very honest and is willing to talk about most everything, including the infamous New Jersey arrest with the Iron Sheik and considering others (Ken Patera, Jimmy Snuka and Chris Adams) were not willing to dig the skeletons out of their closets. I found Duggan to be both frank in his comments and funny in his delivery, so this was a difficult interview not to enjoy.

The Bad
As much as I enjoyed Hacksaw's over-the-top personality and its presence in this interview, I am sure some people would not. I would rather have that and get some extra goofiness than the bland deliveries I've heard out of charisma kingpin Jimmy Valiant. Duggan has had such a full career and has enjoyed some booze and gimmicks along the way, so he seems to be missing memories of many high points of his career (according to fans, his personal high points he remembers). My only complaint is that Duggan seems kind of bitter toward how the business changed during the Monday Night Wars and how a cartoon character like himself was simply cut out of the spotlight. It is funny because if you pulled him out of 1987 and stuck him in there, he could have been a hot commodity, but after nearly a decade of being a goof, he just could not offer much past a nostalgia act. Therefore, he seems angry at the smaller workers (Lance Storm, Dean Malenko and others), annoyed with the youngsters who need gimmicks (Buff Bagwell, Van Hammer, etc.) and upset with the management that took to an edgier style.


The Rating: ****1/2

Straight Shootin' with Kamala

The Good
Kamala is one of those rare people whose shoots I would say everyone should check out once, but once might be enough. He has a particular charm that few people can get across in a shoot interview. He loves his family, he wanted to take care of his mother, he never wanted to cheat the people, he loved to perform and would go to great lengths to preserve the integrity of his character. Jim Harris is able to get himself over for that dedication and loyalty without coming across as negatively as others who had similar situations. I find him to be someone who understands that he was a gimmick wrestler and that's why he worked to protect the gimmick. While some of his approaches (i.e. "eating" a live chicken in a van for fans before the show) might not work in the post-kayfabe era, it makes you think how suspending the disbelief is helped by going to great lengths and when people do not commit - gimmicks, angles and even matches fail! Kamala also gets into a lot of perceived racism that he experienced, which is interesting. While he admits that most promoters will never be entirely fair with you, he felt many just took him as a dumb old countryboy who would be happy with whatever they paid him. He talks about his financial struggles quite a bit and even states that he wouldn't "do it all over again" because of all the hardships. While he is not broke and desperate for indy work like some others of his generation, Kamala is certainly not as well off as one might expect someone who worked for the WWF at their peak, WCW with their ridiculous contracts and was a maineventer in a number of territories. His story is fascinating and heartbreaking. As for the typical qualities that make for a "good shoot," Kamala is not one to hold back. He talks about confronting Andre the Giant with a concealed weapon, he buries Abdullah the Butcher and he has no regard for Eric Bischoff. Generally, Kamala was the type who tried to get along with everyone and did not get involved in all the drugs and carousing, yet he had nice things to say about almost everyone brought up, even people he probably could've buried!

The Bad
I've heard a few interviews with Kamala before, so this seemed to be largely the same stuff. He comes across as a really nice guy who had some ups and downs and the business that have made a him a little bitter, yet thankful for the opportunity he had to entertain people. I've stated this before, but Jim Harris can come across as a victim of the business, whether that is true or not. He was a fair worker who had great size, good athletic ability and kept himself out of trouble. However, he got started late and probably only "made it" because of the gimmick he landed. Kamala's money woes are more prominent in his interview than many others because others probably do not want to seem like failures after having made a fortune that they blew. He genuinely believes he was not paid what he was due (some places more so than others) and while he was able to take care of his family and buy his home, he really struggled after leaving Mid-South. He is very honest about numbers and while they might seem substantial to some, when you take into account all the travel expenses, you can understand why he ended up having to drive a broken down truck. Then again, maybe you can't.


The Rating: ****1/4

Straight Shootin' with Ken Patera

The Good
Over-the-top shoot interviews can be fun and they certainly gain the most notoriety. While not as wild as the Iron Sheik, Jamie Dundee or Billy Jack Haynes, Ken Patera certainly has some unique perspectives, candid comments and colorful language to say the least. He could be billed as angry, bitter and crazy based on this (and his drunken RF Video shoot), but he unquestionably had a stellar career and worked on or near the top in a variety of promotions for over a decade. However, he had some rough times in life and never quite reached the upper echelon. He was a top-notch Olympic lifter who is often seen as someone who blew it at the Olympics (he did get a bronze with a bad knee, so his "failure" was not quite like Mark Henry's). He was a great working heel with legit credentials, but is not mentioned in the same breath as many other "legends" he worked alongside. He is often remembered best for his low points - his pathetic babyface run in 87-88, his two years in prison, his wacky Shiek gimmick in the AWA. He is a man who really gave everything he had to a business that left him with numerous personal problems. I think he has some validity in his bitterness, but he goes about it in a much more entertaining way than many of his peers. In spite of some of the insanity here, Patera is able to really get into his greatness and if you can move past the bullshitting, mudslinging and name-calling, you can know that he is not obscenely overstating his legacy. All of that aside, he is a hilarious storyteller. He rambles, he stumbles over words, he swears incessantly and has incredible stories involving Ric Flair, Wahoo McDaniel, Curt Hennig and many others known for their decadence. While he does have a filter, he is more wide open than a great many legends. He talks frankly about his own personal, professional, physical and martial problems. Even with all this, I am still not sure if I would call him "bitter."

The Bad
I really think this was tremendous shoot interview and rate as the best of interviews of the bitter, angry and possibly crazy crowd. Ken Patera is probably the biggest star of all those guys (Ole Anderson could probably stake a serious claim to that as well), yet he has plenty of nasty things to say about half the people he worked with and some unflattering stuff about many of the other half. While I don't think he is really delusional or a bold-faced liar, he certainly has some screwy stories that I simply cannot buy. Some seem to have no merit past his convincing telling of them - Jesse Ventura was a heroine addict, Bruno Sammartino cussed out Vince McMahon back in the day for coming in the lockerroom and he was the person largely responsible for getting Ric Flair in and keeping him in the business early on. He is quite a character and curses and spits through many great anecdotes, but I'd question some of the details in this one.

The Rating: ****3/4

Straight Shootin' with Ron Killings

The Good
I tend not to like shoot interviews with active wrestlers because they can be a little too politically cautious, too angry about a recent release, too positive about their current situation and simply not have not been able to step back and reflect on a full career. They can be very interesting, especially to listen to subsequent interviews. Al Snow's first RF Video was angry and perhaps bitter, his second RF Video shoot was amazingly thoughtful considering the short span of time between them. As of 2010, Ron Killings is working in the WWE near the top as R-Truth, during this interview he was a few years into his TNA run after a failing WWF run. Some of the things he mentions (his name changes, for example) were very interesting because of how his career changed after this shoot. He seems honest, without burying WWF personnel. I think this should stand out as an example why going nuts and blasting Triple H, the McMahons and John Laurenitis is not necessary to come across as being honest and straight. In the same breath, letting some steam off about how you were wronged (because few people are let go for justifiable reasons) is fine. I found this interesting, but more in a historical relic sense, rather than a genuine shoot interview sense.

The Bad
Shoots with younger guys can be really good if they're funny and/or have good stories, but usually they're nothing special. Ron Killings, at this point, was fresh off his second NWA title run in TNA, who had just started up on FOX Sports Net. Obviously, things have changed dramatically since that time. The basic story was him breaking in, working the indies, catching a break with the WWF, having stints in developmental and at the big show, then hooking up with NWA-TNA and reinventing himself and being very successful. He was very positive and seemed quite honest, which makes for a dull interview in this case. Not that he should have been burying everybody, but for someone who is a great promo, he was mediocre shoot interview candidate. Gabe Sapolsky is a solid interviewer and even he could not bring this into the interesting category for me.

The Rating: ***

2 Cold Scorpio [Straight Shootin' Shoot Interview]

The Good
A shockingly great shoot interview that has all the honesty, humor and dirt that many people want without the bitter rage, mental instability and delusions of grandeur that you don't want. Whether you liked him and his work or not, 2 Cold Scorpio was something special. He was perhaps premier highflyer in the States throughout the 1990s (I think Rey Mysterio or Juventud Guerrera would be the only two who could touch him) and was almost ahead of his time to the point that maybe it was detrimental. Scorpio also was able to get into the New Japan Dojo alongside Chris Benoit and many of the greats of the future, so he could work. The other upside of his extensive Japanese experience, is his ability to share his perspectives as he worked not only for New Japan, but later All Japan and NOAH with varying levels of success. His opinions on those companies, the politics, the talent and everything else is hard to come by in shoot interviews. Scorpio has so much personality and I don't think that ever fully came out. He has a million little turn-of-phrase comments, he has hilarious gaffes (Ricky "The Steamboat" Dragon is something out of the Iron Sheik's lexicon) and his wacky vocabulary (he frequently mentions having "hellified" matches). What I found particularly strange was his personalized messages to everyone from Arn Anderson and Missy Hyatt to Tommy Dreamer and Mr. Hughes, where he would address them directly in a jovial manner and close it with a "peace out." I don't know that I've ever seen that in a shoot before. Scorpio was very upfront about his chronic use of, well, chronic as he constantly referred to himself as "Big Smoke" and went into a hilarious tirade about the rampant drug use in ECW. He also talked about his crack-cocaine problems that probably ruined his WWF run. Scorpio also talks about his infidelities on the road, but didn't name any names and was pretty matter-of-fact about that part of the business. As for the juiciest parts, everybody loves to hear fight stories and burials of people and 2 Cold Scorpio delivers on both. He goes into detail about his altercations with Road Warrior Hawk and Mr. Hughes, which are pretty wild, but it is his detailed description of the scissorfight between Arn Anderson and Sid Vicious that is beyond belief. He talks about people like his former partner Marcus Alexander Bagwell and why their team did not quite reach their full potential, he talks about having heat with Brian Pillman, Sting, Shawn Michaels and his long-time friendship with Vader (who got him into every company he worked except ECW). This is an awesome shoot that delivers most everything you could want.

The Bad
I cannot see that anyone would have really high expectations going into this shoot and be grossly disappointed. Although he had his strengths, 2 Cold Scorpio was not known for being a charismatic talker. He did have his moments, his departure from ECW being a highlight, but Scorpio mainly let his work and his dancing tell the tale. I can imagine some people would see Scorpio as a never-was, who had a few shots, but never lived up to his potential. I can imagine some people would want him to talk more in-depth about Japan and his experiences over there. I'm sure others would have other parts of his career that they would prefer to hear much more about, but there seemed to be a decent balance here. While I really liked and would highly recommend this, it does not quite stack up to the best shoots with people like Bill Watts, Jim Cornette, Gary Hart and so on.


The Rating: ****1/2

Straight Shootin with Jushin "Thunder" Liger

The Good
There have not been a large number of shoot interviews done with Japanese and Mexican stars because, by in large, their English is limited, they don't break kayfabe and it just would not work out logistically. Shocker (who is actually from the US), Keiji Muto and a couple others have done interviews for English-speaking media in some capacity, but the results have been mixed. Here, Gabe Sapolsky sits down with Jushin Liger and translator Simon Inoki to look at the career of one of New Japan's most recognizable stars, a junior heavyweight icon and simply one of the greatest workers ever. It is interesting to hear about his brief training in Mexico as well as his extensive training in the New Japan Dojo. He gets into a lot of interesting details about the numerous legends of New Japan and puroresu. Who knew El Samurai was a chain smoker? Or that Keiji Muto was as bizarre as his Great Muta character? Or that tough guy Yoshiaki Fujiwara was real laid-back when he was not beating the hell out of young boys? Jushin Liger gets into some neat details that you'd never hear otherwise, so this interview is worth checking out if you are a puroresu fan.

The Bad
Shoot interviews full of kayfabe can be intolerably bad and Liger gives many responses swimming in it. If this was not such a unique interview, I would certainly say that kills the quality of this. A major downside of this is the time spent translating back-and-fourth. I think, although it would have made this shorter (more like one hour as opposed to two), that dubbing this with subtitles would have been better all around. The documentary, Blood-Stained Memories, did this with Keiji Muto and it preserved a lot of the personality in his responses. It seems like not much ground was actually covered and the questions are pretty generic and dull.

The Rating: ***1/2

 Straight Shootin' with Jim Cornette - Konnan

The Good
Talk about the odd couple of odd couples.  Here is Jim Cornette, 40-something, Southern-style rasslin' performer and historian paired with lucha libre legend and former WCW and TNA undercarder Konnan.  How do these two communicate?  Very well actually.  Cornette, while not a lucha expert, shows that he's done his homework and directs Konnan through an interview respectfully and with his unique appeal.  Konnan, in sharp contrast to his on-screen persona, is well-spoken, thoughtful and insightful, so that he is able to work well with Corny.  I don't think this worked as good as Konnan and Bryan Alvarez or even Dave Meltzer, but there was something unique here that is undeniable.  Cornette pulls in his own experiences of Nick Gulas using Mexicans on the cheap, Vince McMahon working with Antonio Pena and WCW not knowing how to introduce and properly book distinct stars to get thoughts out of Konnan that you've never heard before.  He shared for the first time, according to him, the fact that he had to go back to "hustling on the streets" in between his WCW and NWA-TNA runs, which was a big shock.  Overall, I went in expecting a train-wreck of sorts, but got a gem of sorts instead.

The Bad
Like I said and as you'd expect, Jim Cornette is no lucha libre historian or even regular connoisseur, so his perspectives are limited in a way.  He and Konnan have a good rapport, but this is lacking in comparison to Corny with Bill Watts, Percy Pringle, Bobby Heenan, etc.  I actually think Konnan works better with Meltzer because he knows that Dave knows his stuff, even though Dave lacks Cornette's interviewing savvy.  Konnan seems to hold back some as a result and while it makes for a different type of Konnan interview, it is not necessarily better.  In some ways it is worse because he does not go into as much detail, Cornette is inconsistent in follow-up questions and something just seems amiss.

The Rating: ****

    

Bruno Sammartino - Straight Shootin' with Jim Cornette


The Good
Jim Cornette's run in Ring of Honor was perhaps highlighted by his involvement with the Straight Shootin' series where he interviewed legendary personalities.  I'd heard parts of the Bobby Heenan interviews, which were gold, but this was the first one I'd been able to really focus on and hear all the way through.  I'll be the first to admit, I'm a big mark for Jim Cornette and I tend to think any project he involves himself in is improved by his involvement.  Now TNA might be the exception, but whether its shoot interviews, documentaries, books, radio shows, audio commentaries on DVDs or whatever, he is a genius in the modern product with his old-school ways.  Bruno Sammartino is a great interview in my view.  He led a storied career, he's opinionated, he tells great stories, he has integrity and he is honest (although his perspective is his perspective), so why should he not be?  I'd seen Corny paired with Heenan (his idol), Percy Pringle/Paul Bearer (a colleague) and Bill Watts (former boss), but Bruno Sammartino?  This odd couple worked so well though.  Cornette did his homework himself, inserts comments, guides the interview well and builds respect with the interviewee (him being in the business certainly helps greatly).  I've heard Bruno with many good interviewers and many not-so-good interviews and this blew them all away.  These two had great chemistry and it spilled out in a way that I'd love to see more often.  Les Thatcher has the same knack although he's a less of a historian than Cornette, but has seniority, variety of experiences and extensive in-ring experience in his favor.  This was one of the best talkers paired with a respectable talker and only great results coming out.

The Bad
Bruno Sammartino's viewpoints are his own and he owns them inarguably.  Whether you agree with them or not, one must respect him for sticking to his guns.  He makes factual errors as you should realistically expect, but nothing that is completely ridiculous or offensively false.  Jim Cornette could have probably called him out on a few comments, but he kept it positive and keeping that rapport between he and Bruno was probably more important than doing a hard-hitting interview.  You could fault Corny for that, but I think his respect for Bruno Sammartino trumps his need to be a tough interview.

The Rating: *****