Danny Spivey [RF Video Shoot Interview]

The Good
The career of Danny Spivey seems to be a succession of bad luck that prevented him from ever reaching a pinnacle he could have. He had been a curtain-jerker in JCP even though Dusty liked him, so he couldn't move up the ladder there. He was too much like Hulk Hogan, so he could not get far in the WWF. He did well in Japan, but kept chasing opportunities in the States that never panned out and prevented him from becoming a top gaijin in All Japan. He had the size, look and ability to be a top heel in WCW, but they kept squandering him as he was still committed to Japan. He had a fantastic character in Waylon Mercy, but the WWF just did not get how to push him to the next level and gave up on him. In spite of all of this perceived failure, Danny Spivey had a respectable career and had some great experiences to share. While he was not bitter, he did seem frustrated that people like Ric Flair, Bret Hart and the Road Warriors used their stroke to hold him back. Sometimes, you hear a guy who had a career like Spivey's and it really seems like he was lacking something, but Spivey seemed to really have that untapped potential. His honesty about his stiff style, his drug use and his burn-out from being on the road, makes you think that he is a pretty straight-shooter. Enjoyable and informative as a good shoot should be.

The Bad
Danny Spivey's career included a fair amount of bouncing around and never quite living up to his potential. To listen to him, you'd think it was mostly poor booking, poor timing and bad luck that cost him superstardom. While there is truth to that, there is also the fact that he continually went back to WCW, despite the fact they misused him several times. If he had stayed in Japan, it might have shaved a few years off his career, but he would have had the chance to reach the echelon that Stan Hansen, Steve Williams and Terry Gordy reached. Danny Spivey might come across as bitter to some, but when comparing him to many of his colleagues, he seems pretty down-to-earth and content with his career.

The Rating: ****

Barbed Wire City: The Unauthorized Story of ECW

Directors: Kevin Kiernan & John Philopavage

Released: 4/13

Talent

Don E. Allen, Angel, Bob Artese (Announcer / staff), John “Hat Guy” Bailey (fan), Blue Meanie, Charlie Bruzzese (production), Billy Corgan, Steve Corino, Tony DeVito, Danny Doring, Shane Douglas, Sign Guy Dudley, John Finnegan (referee), Kathy Fitzpatrick (staff), Joel Gertner, Tod Gordon, Johnny Grunge, Missy Hyatt, Mike Johnson (PWInsider), Mark Keenan, Wade Keller (PWTorch), Dan Kowal (staff), Ronnie Lang (security), Tony Lewis (fan), Jerry Lynn, Balls Mahoney, Dave Meltzer, Bruce Mitchell (PWTorch), New Jack, Nova, Jason Powell (Prowrestling.net), Dave Scherer (PWInsider), Raven, Rhino, Stevie Richards, Rocco Rock, Axl Rotten, The Sandman, Gabe Sapolsky, Frank Talent (Penn. Athletic Commission), Michael Tearson (radio show host), Mikey Whipwreck, Joe Wilchak (security), Ed Zohn (staff)

The Good

ECW is simply one of the most fascinating movements that pro-wrestling has ever seen.  Despite its short run, limited audience and niche product, it has this massive legacy that people are still cashing in on years later.  Curiously, the period between ECW’s death and the release of this documentary is greater than the period in which ECW existed.  That should indicate something about the influence of ECW, but also the scope of this doc.  When the WWE released the “Rise and Fall of ECW,” it was a huge success to the point that it led them to do the One Night Stand shows and eventually create an ECW brand.  The “Hardcore Forever” documentary that was released around the same time was a nice compliment, it had a different group of people, but it lacked footage.  This production is, simply put, amazing in many ways, but I will highlight three.  First, it maximized resources amazingly.  These interviews were shot over a long period of time, the footage was RF Video Fan Cam footage, the footage from panel / fanfest events, the still photos were animated and this will perhaps be the first in a long line of crowdfunded docs about pro-wrestling.  Second, the scope of perspectives is incredible.  The WWE production had a number of people who were never involved, this had wrestlers and personnel, it also had security, fans and journalists.  Although one could argue that it lacked many key voices, it told a story masterfully with the voices it had.  Third, it did not purely romanticize ECW.  This is a common trap and this doc explored the positives and tackled the negatives.  In showing a balance, this really gave itself credibility that the WWE documentaries seem to lack.  Whether you liked ECW or not, this documentary is worth checking out because it is so well done.

The Bad

The obvious knock on this documentary would be the talent that is not interviewed.  It is a substantial number of key people, but most of them gave their perspectives in the “Rise and Fall of ECW” or the “Forever Hardcore” documentaries.  I am curious why they did not tap into shoot interviews that are already out there.  It seems like since they worked with RF Video to use the Fan Cam footage, they could have also dipped into their vast collection of extensive shoot interviews.  They did a great job using Fanfest footage of Paul Heyman to give him a more active role in this, but it seems like they might have done that for others.  I have also heard the complaint that they relied on journalists too much, although if you think about it, those people tend to provide the most objective and coherent perspective.  Their tying this to the Extreme Reunion/Rising promotion seems to date it.  However, they are trying to convey ECW’s unusual legacy and a reunion more than a decade later seems to demonstrate that fact.  When you look at this and recognize its limitations, it seems like a documentary that, like the company it is exploring, was fighting an uphill battle and trying to simply produce something for the fans even if there is little money made.  This is a labor of love.

The Rating: *****

Guest Booker with JJ Dillon - A month of WWF TV [KayfabeCommentaries]

The Good
JJ Dillon is one of my favorites to listen to because he is very articulate and is able to express a deep understanding of the business. I knew this "Guest Booker" would be excellent and it truly delivered. The premise is that JJ will book a month of WWF TV around the 91-93 era that will include a late night special and build up to a pay-per-view. The catch is, it's an inter-promotional deal, so people like Sting, Nikita Koloff and others who never set foot in a WWF ring are thrust into fresh matches with Hulk Hogan, Bret Hart and The Undertaker. While JJ does not touch on angles and such for all the matches, he hits on the big ones and has some very simple, politically aware and effective stories that help build everything up. They spend ample time talking about Vince McMahon's creative style, his micromanagement, the process of writing TV and the use of "A" and "B" shows. While getting into one of the great minds of pro-wrestling is great, it is the sharing of that process that only a few have been privy to that is so amazing.

The Bad
"Guest Booker" is always limited by time and scope, but usually it works out. They spend so much time going into the details of weekends at Vince's that JJ does not have as much time to develop his TVs. He keeps it basic and is working in the old squash match format, so the TV expectations are a bit different nowadays. Instead of numerous angles, intricate details and every match having a backstory, Dillon keeps it simple. Some might find this less interesting in that regard than, say, Kevin Sullivan or Jim Cornette when they were the "Guest Booker," but that is largely up to your perspective. JJ Dillon is certainly an acquired taste as he is not particularly funny, does not cuss out or bury people and has a very measured approach. I guess that is why he was such an effective Head of Talent Relations for over five years.

The Rating: ****1/2

Terry Funk [RF Video Shoot Interview]

The Good
Conducted in 1998, not too long after Terry Funk's WWF run, Terry Funk delivers what was perhaps the best RF Video shoot at this point in time. He is a natural storyteller and this was at a great point in his career for him to look back. Before his autobiography, his numerous interviews and coverage in "Beyond the Mat," this was an amazing piece of pro-wrestling history. Several parts of this such as looking at Amarillo, his NWA Championship run and the early days of ECW were interesting, but have been covered in greater detail in various places (including in future shoots by Funk himself). I felt the highlights of this, which stand up are the details concerning his time with All Japan and relationship with FMW head Atsushi Onita. Stories of Japan are not uncommon in shoot interviews, but Terry Funk's experiences are distinctly different as he worked in the All Japan office, saw many changes and worked with many of the top wrestlers (like Onita) when they were "young boys." This is also back in the day of matches being integrated into RF Video shoots, so you can catch some great (and not-so-great) action from Terry Funk's career.

The Bad
Although this was the first Terry Funk shoot I heard and was, at the time, one of my favorites, this seemed so old and limited looking back. I don't think RF Video really started delivering quality shoot interviews for another five years, but they sure secured some great names, did longer interviews and had one of the only forums for shoot interviews. I've since heard Terry Funk partnered with all kinds of people from Harley Race and Bob Backlund to Shane Douglas and Steve Corino. I have to say, I've preferred those. His interaction with others and that necessarily limiting structure just work so well for a rambler who has seen so much. This "was" amazing nearly fifteen years ago, but it is not as great today.

The Rating: ****1/4

The Legacy of Stone Cold Steve Austin

Director: Kevin Dunn
Distributor: WWE Home Video
Released: 2/08
Featured Talent
Steve Austin...that's it.

The Good
"Stone Cold" Steve Austin is one of the greatest pro-wrestlers that the sport has ever seen. He was a transformative character whose legacy cannot be understated. While people were acting like him before, wrestling like him before and being the anti-hero/top babyface before, he put it all together in a way that with the WWF machine behind...magic happened. This disc, like the Ric Flair and The Undertaker collections, tries to tell Steve Austin's story through his matches. Some people's wrestling, like Austin's, are probably more interesting than a standard WWE documentary would be. Steve Williams' life story could certain play well in a well-done documentary, but past efforts by the WWE and even A&E have not exactly probed deeply. This collection features 20 matches that are largely excellent, some great and some only good. There are six matches that are probably **** or better and another four or five that are close. The addition of TV matches and Clash of the Champions matches were good and all but two were worthwhile. A few matches that were surprising to see, but were certainly not unwelcome were the strap match with Savio Vega, a `97 match with Shawn Michaels and the lesser known but excellent Bret Hart match. The match quality on this is exeptional.

The Bad
"Stone Cold" Steve Austin is a legend. That said, this three disc "legacy" collection is gross disappointment. It has no documentary, no special commentary, no easter eggs even (!), just Austin giving input on some of the matches and angles throughout his career. The WWE has released numerous Stone Cold videos, but this could have been so much more. It basically runs through his career and contains 20 matches and a lot of clips and comments in between each. It left out some of his best matches and included some of the most unnecessary. The ECW stuff seems overblown in terms of the impact in his career and seeing he and Chris Adams or even some Dangerous Alliance era stuff would be preferrable. The Owen Hart match where he broke his neck was important, but does not make the cut. The two Kane matches were totally unwanted. The Triple H match with the car-crane BS was just bad for workers of that caliber. The Eddy Guerrero squash was stupid and only the fact that the two legendary Austin-Beonit matches could not be included seems to justify its inclusion. Although another DVD or two of matches that were omitted could be made, a few that jump out for WWF matches are: his KOTR battle with Marc Mero, a heel-versus-heel match he and Hunter had at an In Your House in late `96 and one they had at No Mercy `99.

The Extras
The extras on this were like the matches - a mixed bag. A "match", Austin-Yokozuna is pointless, a bit about McMahon is fine, the Redneck Triatholon is what it is, but the Austin angle with Terry Funk is tremendous. That last bit gets a huge thumbs up.

The Rating: ***1/4

Stevie Ray [Highspots Shoot Interview]

The Good
Stevie Ray is probably best known as the bigger and not-as-talent brother of Booker T. The two partnered for a long time as Harlem Heat and were a very good tag team before splitting and going in very different career directions. While I was never a big fan of his work, Stevie Ray undoubtedly had a certain charisma that was never fully tapped. Sid Vicious, who brought them into WCW from Global, thought Stevie Ray was the real talent in the pair. Stevie certainly had the love for pro-wrestling that propelled himself and his younger brother into the business in the first place. What was amazing about this interview is that Stevie Ray really seems like a guy who should've gone so much further, but was never in that perfect spot. He was a massive guy, a decent promo and a competent worker, but he clearly has an insight into the sport that never came out. WCW tried him out as a commentator and interview, but did not nurture him properly. One can hear in this interview that Stevie Ray is a well-spoken and well-read individual and that matched with his unique catchphrases could've led him to being a quality color man like Tazz or even his brother nowadays. In this interview, Stevie Ray got himself over and someone with a distinct viewpoint on the profession and one that needs to be expounded upon. One particular facet of his career that was interesting was his belief that when the Harlem Heat hooked up with Sherri Martel, they were all able to push their careers to another level and that they did something special that was lost when she was fired.

The Bad
As much as I found this shoot interview interesting, Highspots shoots conducted by people other than Michael Bochicchio are never as good. Clearly they wanted to limit the questions or discussion of Booker T (which is good to a point, but seemed odd here), there was little discussion of "Big T" Ahmed Johnson (who described Stevie Ray as one of his closest friends in the business) and there just something missing about this otherwise shockingly good interview. Stevie Ray has a keen mind on the business and it seems like this could've focused more on his perspectives on things because many times he had something interesting to say. I particularly found his concepts of pushing blacks in pro-wrestling, the lack of "superstars" in the current product and even the WWE's inadequate pushing of Booker were all fascinating and should've been explored deeper.

The Rating: ***3/4

Percy Pringle / Paul Bearer [RF Video Shoot Interview]

The Good
Great stories by a great storyteller, Percy Pringle (aka Paul Bearer) has had such a full career that it was easy for him to just go on and on with road stories, rib stories and funny memories. Who else could tell you what always makes the Undertaker vomit, how creative a teenage Michael Hayes was or what made Rick Rude such a likable guy? Percy Pringle's gift of gab just boils over here and he lets his guard down more and more as time passes. While he could and other interviews have proven this, go more into the psychological aspects and behind the scenes workings of companies, Percy delivers the endless tales that RF Video is always trying to pull out of an interviewee. It makes for a light-hearted and enjoyable interview. Percy is also so passionate about pro-wrestling that he seems almost mournful that kayfabe is dead and that young people cannot experience it or breaking into it the way he did. In a few instances he gets into that sentiment, but even that and the issue of drug abuse, deaths and political nonsense do not seem to hamper his excitement and he largely glazes over those negative aspects.

The Bad
If you've never heard Percy Pringle do a shoot interview, I cannot image how you would not love this. If you have, then you might see how this has is not a great as some others he has done. His series with Jim Cornette are second-to-none and are like ramped up versions of these as he gets into some of the same stories and issues. Although it is briefly mentioned, I think focusing more on his recollections of Gulf Coast Championship Wrestling would be so fascinating. Obviously he was just a mark fan then, but it is an area that is simply unexplored and forgotten. The road stories are great and plentiful here, but it seems like this is someone who could get more into the psychology of the business. Finally, Percy Pringle is pretty reserved in naming names. I think one of the great strengths of the Jim Cornette interview is that Corny will blast almost anyone, so it was easier for Percy to do it. These all seem knit-picky, but it prevented this from being a five-star interview in my view.

The Rating: ****1/2

Tom Brandi [RF Video Shoot Interview]

The Good
Tom Brandi was a long-time independent wrestler in the Northeast who had shots in both the WCW and WWF that were not particularly memorable. In this shoot interview he goes over his roller-coaster career from a hard-working athletic type working the Indies to generic babyface Johnny Gunn in WCW then from his run as WWF gimmicked jobber Sal Sincere and back to the independents. Usually I think interviews with indy guys (or primarily indy guys) are dull and uninformative. Brandi though loves to bury people, in fact, he revels in it. So, if you like burials, you'll like this. He says things that are anti-Semitic, things that anti-gay and things that are just plain mean. I know some people love that negativity and you'll get it in droves here. Brandi has a really different viewpoint that is rarely shared in popular shoot interviews, so that much of this was fresh in several ways.

The Bad
Regardless of your views on homosexuality, Tom Brandi's flippant remarks about how Pat Patterson sexually harassed all the boys, how Tom Zenk had relationships with Rick Martel, Brian Pillman and Marcus Alexander Bagwell and so on, simply irritated me. While those accusations are not unheard of, Brandi just seemed so nasty about it. Like his buddy, the Honky Tonk Man, he loves to rip on people, their work, their personality or their dirty laundry. HTM is extremely entertaining doing this and to his credit, he was a draw and meant something to the WWF when they were in one of their hot periods…Tom Brandi was a glorified jobber in the WWF at its lowest period. Although he had some interesting stories and thoughts on a number of topics, he just struck me as being bitter despite claiming not to be.

The Rating: ***1/2

Nature Boy Ric Flair: The Definitive Collection

Directors: Kevin Dunn
Distributor: WWE Home Video
Released: 7/08
Featured Talent
Arn Anderson, Steve Austin, Batista, Tully Blanchard, Nick Bockwinkel, Jack Brisco, Jim Brunzell, John Cena, Jim Cornette, David Crockett, J.J. Dillon, Edge, Ric Flair, Ashley Fleihr (daughter), David Fleihr (son), Megan Fleihr (daughter), Reid Fleihr (son), Tiffany Fleihr (wife), Dory Funk Jr., Greg Gagne, Michael Hayes, Bobby Heenan, Shawn Michaels, Gene Okerland, Bob Orton Jr., Randy Orton, Bruce Pritchard, Harley Race, Baron Von Raschke, Dusty Rhodes, Jim Ross, Triple H, Greg Valentine, Kevin Von Erich

The Good
Generally speaking, the WWE’s documentaries on legendary pro-wrestlers have been good. They usually have the footage, interviews and a version of the story that is a worthwhile watch - at least once. This documentary, while a good retrospect of Ric Flair’s legendary career, lacks the depth that his excellent autobiography did. It is positive though and many people want to see those highlights and hear those stories. In that sense, it delivers. This was a big step-up production-wise as it featured some really fun graphics (depicting the NWA’s control over the US, Flair’s touring and title defenses), it also had some good lighting and presentation for the newer interviews and it really captured the past in a nostalgic way (as opposed to low-rent way). It was fun to hear Flair and some of his running buddies talk about his early days and peak when he was living the high life. There was a lot of focus on big feuds and rivalries, which has gone over well in recent WWE Legend documentaries. There really were no surprises here and it was basically a feel-good type documentary, which one has to expect. As always there were some great interviewees: Harley Race, Jim Cornette and David Crockett were all great and brought so much to this piece.

The Bad
As with almost all WWE documentaries, this lacked depth. It was missing that critical side that even Flair’s autobiography had. His financial woes, his lackluster WWF run and his burial in WCW are largely glossed over. There is no Eric Bischoff, Hulk Hogan or Mick Foley to offer some criticism, heck, Ricky Steamboat is not even on this! Although the list of interviews is solid, there were definitely some MIAs that could have added insight. Terry Funk really jumps out, but he is yet to appear on a WWE documentary. There also is some due criticism of the WWF/WWE that is sadly missing. His `91-`93 run is deemed a success, although it is acknowledged that not booking he and Hulk Hogan in a pay-per-view match was strange. While he had a good showing and had some great matches, he was not the larger than life character that he had been in JCP and was another legendary NWA champion reduced to something far less than he deserved to be like “King” Harley Race, Hoss (Dory) Funk and “The Common Man” Dusty Rhodes before him. As for his return after WCW died, well, it is clear that with the exception of a few instances, Ric Flair was not utilized well. One of the greatest interviews of all-time was seldom left to cut his money promos, a figure who could draw in the older fans was over-used and jobbed out and that final run that should have carried him into his final match was pathetically executed. All of these facts are swept aside, so we can hear him talk about the few things that were done right. While one has to expect that in a WWE production that does not mean that it is okay and the credibility of this documentary takes a hit as result. As for the matches, let's just say they did an average job complimenting the previously released "Ultimate Ric Flair Collection."

The Rating: ****1/2

New Age Outlaws [RF Video Shoot Interview]

The Good

Tandem shoots are dangerous and while these two share talking time, they seem to be really goofy.  The Road Dogg (B.G. James) is admittedly high and absolutely hilarious in his comments about his own financial state, Bret Hart calling them "midcarders" and so on.  Billy Gunn (Kip James) is a goofball and plays off well with Road Dogg, who enhances this interview with his humor.  The issues I had with the Billy Gunn solo shoot are still there, but either not to the same level or Road Dogg's stoned joking is able to compliment it well.  This is a really fun interview and if you like these two guys or are really interested in the Attitude Era, I would recommend this one.

The Bad

Billy Gunn's shoot interview done a while before this, drove me up the wall.  He was bitter, angry, arrogant and laughed off legit questions.  This one is not quite as angry, but the goofiness that permeated throughout is just as present here.  It might be even worse because he and Road Dogg feed off one another.  While they rightfully knock the interviewers as being poor, they don't exactly carry the load.  This is fun in many ways and I enjoyed it, but found the lack of depth to be very frustrating.

The Rating: ***3/4

The Outsiders [RF Video Shoot Interview]
The Good
Scott Hall's shoot a month prior to this is one of RF's best and Kevin Nash's wasn't too shabby either. When you combine the two, you get a very different, but very enjoyable product. Hall, who was really reserved and respectful in his, is pulled into a Nash-influenced that is a stark contrast. They bury people, they bury companies, they bury poor booking, they take the blame for nothing, all while admitting that they're too of the biggest pricks around. I wonder Hall's different candor here is more or less authentic to his true persona as these two admit to having almost split personalities. They have a million road stories from their "gay rib" first meeting to their chronic drunken escapades during WCW TV tapings. They explain how the Kliq changed the WWF, how the nWo developed, how it fell and they get into all the characters from WCW's glory days. You will get what you expect with these two.
The Bad
Based on the nWo's presence in my "Pro-Wrestling in Georgia & The Carolinas" video being thoroughly despised by numerous posters, I know that many people don't like the nWo, they don't like Hall & Nash, they blame their influence on ruining WCW and their feelings are very much in line with Jim Cornette's infamous rants against them on Raw. Those people might want to avoid this one. These are two disrespectful, self-important and seem to not have much regard for the health of pro-wrestling itself. Certainly their role in WCW was key in the company's surge and the boom known as the "Monday Night Wars," but many people cannot stand them and believe the bad outweighs the good in this situation. They make no apologies here.
The Rating: ****1/2

Mike Graham [RF Video Shoot Interview]

The Good
I had never heard Mike Graham talk much more than the pieces on the Florida DVDs that were released years ago, but I just knew he'd be an excellent shoot interview. On those, he seemed laid back and personable with a good sense of humor that makes for an enjoyable shoot interview. I also had heard from many of his peers (Kevin Sullivan being most notable) that he was very smart about the business and so I expected he could get into some of the booking and psychology aspects as well. Moreover, Mike Graham grew up as a second-generation wrestler and his father, Eddie, is regarded as one of the best bookers in the business. Finally, the peak and fall of Championship Wrestling from Florida was something Mike lived through and was inarguably impacted by. All of these factor made this the definitive shoot interview about the peak and fall of pro-wrestling in Florida. Yes, I have heard many legends of Florida talk about it from Dusty Rhodes and Jack Brisco to Kevin Sullivan and Sir Oliver Humperdink, but Mike Graham just has that in-the-bubble mentality that provides for deep insight, passionate comments and an overarching view that those others lacked because of their extensive careers elsewhere. The angles, the booking, the characters, the hot periods, the cold periods and all the rest of it are covered here. Mike also peppers this with great road stories about Dick Slater, Terry Funk and other legendary characters who passed through Florida. This shoot interview reaches a climax of sorts when Eddie Graham's suicide is covered. People have attributed Eddie's decline to poor business decisions, the change of the pro-wrestling scene, the departure of Dusty Rhodes and many of his top stars, problems with a mistress and perhaps his own body breaking down, Mike gives credence to all of these to an extent. He gives an emotional remembrance, but also gives the details. While you may not have enjoyed Mike Graham as a performer and might find some his claims (see below) to be a bit much, one has to admit that he does a great job here and delivers one of the best shoot interviews I've ever experienced.

The Bad
Mike Graham grew up in and became a central figure in Florida like Greg Gagne, the Von Erichs, the Harts, the Fullers, Captain Ed George and many others did in their respective territories. Like many of those aforementioned talents, he never really left home until he had to. Now some people might see Mike Graham's claims as lofty. He credits himself for giving Eric Bischoff the formula that took WCW in a more successful direction in the mid-90s. He says he called out Sid Vicious, Chris Benoit and such, but they backed down. He seems to allude to some admittedly outrageous stories that he can't get into because it would hurt certain parties, which seem to be tales of pro-wrestling wild side. I suppose much of that could be true, but many of his more grandiose comments have never been told by others (that I've heard) and while he is generally well-regarded by his peers, I'm frustrated that many of his eyebrow-raising statements are being heard for the first time. I am not going to say that Mike Graham is a liar and is just focused on putting himself, his father and Championship Wrestling from Florida over, but his comments certainly do that.

The Rating: *****

Ahmed Johnson ["Highspots" Shoot Interview]



The Good
If you take nothing else away from this interview, realize that for all his personal problems, Ahmed Johnson could've been a major player. While his work had its flaws, Ahmed had an unbelievable intensity that very few have. He certainly puts over that strength of his here and rightly so. While that factor did intrigue me during his WWF run, I felt people like Randy Savage, Goldberg, Sid Vicious and especially Chris Benoit were able to kick their careers to a higher level and became bonafide top guys as a result. Ahmed really could have been a top guy and this shoot interview gives perspective on why that did not happen. He does feel he was cooled off, miscast as a heel briefly and undermined by some people (he particularly targets Steve Austin as a racist), although ultimately he left due to his sister's health problems and never recovered from that life-changing situation. The interview does get into some of the dirt about him and he seems to respond with sensible answers to everything - his work being too stiff, him stealing the LOD's shoulder pads, his steroid abuse, his unreliability.

The Bad
Ahmed Johnson's legacy is certainly tarnished and he will probably be remembered favorably by a small number of people. Few of his peers say highly positive things about him, he was a rising star in the WWF when it was at its lowest point and he left before the boom. This shoot interview gives him the opportunity to clarify his place. He put himself over very strongly and leaves the impression that he is not highly regretful of leaving when he did. If he had stayed and kept his head on straight, Ahmed Johnson could have very well been a key component in the Attitude Era. The interview does not really take that corner though. There are also the tales of him dealing drugs, pimping underage girls and his membership in the Bloods (he has repeatedly confirmed the last issue) that go unexplored, but certainly are part of his story. This shoot interview is one that has been put over as great and it simply was not.

The Rating: ***1/4