Barbed Wire City: The Unauthorized Story of ECW

Directors: Kevin Kiernan & John Philopavage

Released: 4/13

Talent

Don E. Allen, Angel, Bob Artese (Announcer / staff), John “Hat Guy” Bailey (fan), Blue Meanie, Charlie Bruzzese (production), Billy Corgan, Steve Corino, Tony DeVito, Danny Doring, Shane Douglas, Sign Guy Dudley, John Finnegan (referee), Kathy Fitzpatrick (staff), Joel Gertner, Tod Gordon, Johnny Grunge, Missy Hyatt, Mike Johnson (PWInsider), Mark Keenan, Wade Keller (PWTorch), Dan Kowal (staff), Ronnie Lang (security), Tony Lewis (fan), Jerry Lynn, Balls Mahoney, Dave Meltzer, Bruce Mitchell (PWTorch), New Jack, Nova, Jason Powell (Prowrestling.net), Dave Scherer (PWInsider), Raven, Rhino, Stevie Richards, Rocco Rock, Axl Rotten, The Sandman, Gabe Sapolsky, Frank Talent (Penn. Athletic Commission), Michael Tearson (radio show host), Mikey Whipwreck, Joe Wilchak (security), Ed Zohn (staff)

The Good

ECW is simply one of the most fascinating movements that pro-wrestling has ever seen.  Despite its short run, limited audience and niche product, it has this massive legacy that people are still cashing in on years later.  Curiously, the period between ECW’s death and the release of this documentary is greater than the period in which ECW existed.  That should indicate something about the influence of ECW, but also the scope of this doc.  When the WWE released the “Rise and Fall of ECW,” it was a huge success to the point that it led them to do the One Night Stand shows and eventually create an ECW brand.  The “Hardcore Forever” documentary that was released around the same time was a nice compliment, it had a different group of people, but it lacked footage.  This production is, simply put, amazing in many ways, but I will highlight three.  First, it maximized resources amazingly.  These interviews were shot over a long period of time, the footage was RF Video Fan Cam footage, the footage from panel / fanfest events, the still photos were animated and this will perhaps be the first in a long line of crowdfunded docs about pro-wrestling.  Second, the scope of perspectives is incredible.  The WWE production had a number of people who were never involved, this had wrestlers and personnel, it also had security, fans and journalists.  Although one could argue that it lacked many key voices, it told a story masterfully with the voices it had.  Third, it did not purely romanticize ECW.  This is a common trap and this doc explored the positives and tackled the negatives.  In showing a balance, this really gave itself credibility that the WWE documentaries seem to lack.  Whether you liked ECW or not, this documentary is worth checking out because it is so well done.

The Bad

The obvious knock on this documentary would be the talent that is not interviewed.  It is a substantial number of key people, but most of them gave their perspectives in the “Rise and Fall of ECW” or the “Forever Hardcore” documentaries.  I am curious why they did not tap into shoot interviews that are already out there.  It seems like since they worked with RF Video to use the Fan Cam footage, they could have also dipped into their vast collection of extensive shoot interviews.  They did a great job using Fanfest footage of Paul Heyman to give him a more active role in this, but it seems like they might have done that for others.  I have also heard the complaint that they relied on journalists too much, although if you think about it, those people tend to provide the most objective and coherent perspective.  Their tying this to the Extreme Reunion/Rising promotion seems to date it.  However, they are trying to convey ECW’s unusual legacy and a reunion more than a decade later seems to demonstrate that fact.  When you look at this and recognize its limitations, it seems like a documentary that, like the company it is exploring, was fighting an uphill battle and trying to simply produce something for the fans even if there is little money made.  This is a labor of love.

The Rating: *****

Mike Graham [RF Video Shoot Interview]

The Good
I had never heard Mike Graham talk much more than the pieces on the Florida DVDs that were released years ago, but I just knew he'd be an excellent shoot interview. On those, he seemed laid back and personable with a good sense of humor that makes for an enjoyable shoot interview. I also had heard from many of his peers (Kevin Sullivan being most notable) that he was very smart about the business and so I expected he could get into some of the booking and psychology aspects as well. Moreover, Mike Graham grew up as a second-generation wrestler and his father, Eddie, is regarded as one of the best bookers in the business. Finally, the peak and fall of Championship Wrestling from Florida was something Mike lived through and was inarguably impacted by. All of these factor made this the definitive shoot interview about the peak and fall of pro-wrestling in Florida. Yes, I have heard many legends of Florida talk about it from Dusty Rhodes and Jack Brisco to Kevin Sullivan and Sir Oliver Humperdink, but Mike Graham just has that in-the-bubble mentality that provides for deep insight, passionate comments and an overarching view that those others lacked because of their extensive careers elsewhere. The angles, the booking, the characters, the hot periods, the cold periods and all the rest of it are covered here. Mike also peppers this with great road stories about Dick Slater, Terry Funk and other legendary characters who passed through Florida. This shoot interview reaches a climax of sorts when Eddie Graham's suicide is covered. People have attributed Eddie's decline to poor business decisions, the change of the pro-wrestling scene, the departure of Dusty Rhodes and many of his top stars, problems with a mistress and perhaps his own body breaking down, Mike gives credence to all of these to an extent. He gives an emotional remembrance, but also gives the details. While you may not have enjoyed Mike Graham as a performer and might find some his claims (see below) to be a bit much, one has to admit that he does a great job here and delivers one of the best shoot interviews I've ever experienced.

The Bad
Mike Graham grew up in and became a central figure in Florida like Greg Gagne, the Von Erichs, the Harts, the Fullers, Captain Ed George and many others did in their respective territories. Like many of those aforementioned talents, he never really left home until he had to. Now some people might see Mike Graham's claims as lofty. He credits himself for giving Eric Bischoff the formula that took WCW in a more successful direction in the mid-90s. He says he called out Sid Vicious, Chris Benoit and such, but they backed down. He seems to allude to some admittedly outrageous stories that he can't get into because it would hurt certain parties, which seem to be tales of pro-wrestling wild side. I suppose much of that could be true, but many of his more grandiose comments have never been told by others (that I've heard) and while he is generally well-regarded by his peers, I'm frustrated that many of his eyebrow-raising statements are being heard for the first time. I am not going to say that Mike Graham is a liar and is just focused on putting himself, his father and Championship Wrestling from Florida over, but his comments certainly do that.

The Rating: *****

Memphis Heat: The True Story of Memphis Wrasslin'
Director: Chad Schaffler
Released: 2011



Featured Talent 
Jim Blake, Jerry Calhoun, Guy Coffey, Bill Dundee, Jack Eaton, Jackie Fargo, Ron Hall, Jimmy Hart, Jerry Jarrett, Rocky Johnson, Jerry Lawler, Herman Mitchell (fan), Sputnik Monroe, Len Rossi, Jimmy Valiant, Buddy Wayne, Billy Wicks

The Good 
I first became of the ¨Memphis Heat¨ project in 2009 when one of the producers e-mailed me trying to track down footage. It sounded like a great project with excellent potential as it was such a colorful territory and so many of the key players were still alive (the inclusion of the now-deceased Sputnik Monroe really brings up the quality). While I was not able to help provide footage, I offered some names and some opinions. I was actually slow to buy this one, but did get it eventually. Amazingly only a couple week after buying it, the director and his wife met my own wife in an unlikely story of happenstance. Aside from enjoying "Lipstick & Dynamite," my wife has never had any interest or enjoyment in pro-wrestling. She brought that up and Chad Schaffler (who does documentaries and is not just some crazed pro-wrestling fan) expressed liking it and I can definitely see some of the same aesthetic elements here with the retro visual effects, rockabilly music and quick-cut editing. It is really a great approach that fits beautifully and is a great change of pace from the formulaic WWE documentaries. I've heard comparisons to "Heroes of World Class," which is fitting. While this has more appeal for its look and feel, "Heroes" has this beat in sheer length and depth (and has the nice WWE complimentary documentary). Neither is one I'd highly recommend to a non-fan (like my wife), although of the two, "Memphis Heat" has more mainstream appeal and parts of it (the Sputnik Monroe segment especially) could get over with anyone (and has as NPR did a story on him in 2001). "Heroes" also had the disadvantage of so many of the key players being dead (which fit into the story), "Memphis Heat" though had most of the key players, including Sputnik, Billy Wicks and Jackie Fargo. Just as Memphis was the last territory, this may be the last independent pro-wrestling documentary of this nature as WWE recently bought up the Mid-South library. Portland seems to have the same potential and could be a lot of fun with a similar approach.

The Bad 
By my estimation, there are three key strikes against this documentary that probably most "overview of a pro-wrestling company" would have. First and foremost is the absence of certain talent and inclusion of other talent. The most notable is Lance Russell, who was unavailable because of living in Florida, but would have added a whole other layer of insight. If you have ever heard an interview with him, you can imagine how much he could've added. Other stars like Dutch Mantell, Honky Tonk Man, Lanny Poffo, Jim Cornette, Robert Fuller, Bill Bowman and Joe Turner are names that come to mind as tremendous interviews who all had varying degrees of success and experience in Memphis (and/or Nashville). They certainly had budget limitations, so it seems they mainly focused on the biggest names or locals. Second is the choice of angles and stories, which is largely a matter of preference. Jerry Jarrett has always mildly resented the attention that the Lawler-Kaufmann angle is given in Memphis's overall history and here it is played up again and sort of plays into swansong of the territory along with the departure of Jimmy Hart (the third man in the storyline). I was not brought up on Memphis wrestling, so I cannot speak to the best angles through a young fan's eyes, only through looking back. The angles chosen seem to logically coincide with a narrative and with the personalities interviewed. Third is the 1985 cut-off, which is approximately a decade before Memphis went down. I can appreciate wanting to avoid that whole USWA era (1989-1997), but obviously some fans would feel that period was important. Overall, the knocks against "Memphis Heat" are few and the same types that any documentary of this nature have.

The Rating: *****

Peach State Pandemonium [Weekly Podcast]

The Good
At a time when I was regularly listening to ten different podcasts, this was always amongst my favorites. The main host changed a few times early on, before settling on Michael Norris. The regular co-hosts are Jerry Oates and Bobby Simmons. Some of you may be asking, who are these gentlemen? Norris worked as a pro-wrestler back in the day and has an amazing knowledge base. Oates was part of a great team with his brother Ted and worked all over the South and a few other places. Simmons worked in the office for Ann Gunkel and Jim Barnett, he also worked and refereed. Though not the most famous trio, these three have great chemistry and can do shows by themselves if need be with no wasted time. The guests they've had on range from the well-known (in their day) like Dutch Savage, Don & Jackie Fargo and Billy Wicks to the somewhat obscure like Sweet Daddy Banks, El Mongol and Jim Lancaster. The are a number of regulars who call in and provide great stories and insight like Joe Turner & Bill Bowman, former referee Charlie Smith and most notably Dick Steinborn. It is an amazingly informative show that covers history often left unexplored in the podcasting and shoot interviewing world. While the show is "supposed to" focus on Georgia, they certain go all over the place. Jerry Oates worked in practically every Southern territory, had several Japanese tours and a notable run in Portland. Norris grew up on Gulf Coast wrestling and regularly focuses on that often forgotten area. The show regularly features a unique theme such as journeyman wrestlers, famous publications or looking back at those who have passed on. They also get into side tangents about things like wrestling boots, pay-offs and all manner of humorous ribs and road stories. This podcast may seem kind of homespun and folksy, but it is among the most insightful and unique out there. A must-listen for any serious pro-wrestling historian.

The Bad
I suppose there are a number of things about this podcast that could drive some people crazy. It is not of the highest production value quality. There is plenty of retelling of the same stories by the hosts and frequent guests. They talk about plenty of non-wrestling issues from the plight of the Atlanta Falcons to Jerry's adventures as a dog-catcher! I think it takes a while before you really enjoy the show for what it is. If you only listen once or twice, you might find it less than impressive.

The Rating: *****

Sgt. Slaughter [Pro Wrestling Diaries - Shoot Interview]

The Good
I had heard a lot of positive references to the Pro Wrestling Diary shoot interviews and while it did not seem like they featured the biggest stars, I'll take a great interview with a mid-carder than a poor one with a superstar any day. Sgt. Slaughter certainly is no mid-carder and this four-hour affair drives that point home. Often pro-wrestlers who stick around can get pegged with weird legacies. He still shows up on WWE television, looks practically the same as he did during his bizarre early 1990s heel run and comes across very cartoonish. Back in the day, Sgt. Slaughter was one a helluva big bumping heel headlining against Bob Backlund and Pat Patterson in MSG, Steamboat & Youngblood in the Carolinas and delivering some memorable promos along the way. That five year run alone would have made him legend, but then he turned babyface and was one of the biggest around. This interview goes through those years in great detail and with funny anecdotes and sharp insight. The early years of Bob Remus are told as well and, in fact, him recounting about his father sending him off to follow his dreams rather than stay roofing in Minnesota is a touching story. The story of his showdown with Billy Robinson before entering Verne Gagne's camp is one I'd never heard before and there were others that when told by the Sarge himself were just priceless. His later WWF run and stints in the late 90s and beyond were covered, but thankfully not the focal point of this interview, a drawback of so many shoot interviews. By the end of this, I was convinced of Sgt. Slaughter's greatness and feel bad that he's become a cartoonish caricature of himself in the past few years.

The Bad
I had known that Sgt. Slaughter was a legit Marine and had been a drill instructor, but you'd expect that to be explored some more. While it is mentioned and he refers to aspects of that time and how it influenced his Sgt. Slaughter persona, it was not given the time or focus I expected. Many pro-wrestlers have had military gimmicks and his is legit and he is the quintessential military-gimmicked wrestler, but it is largely limited to his passing references. This could simply be an area that he did not want to discuss or it is not as defining a life experience as one might expect, but it was the glaring omission in this extensive and thorough shoot interview. Overall, this was great and I have few complaints about this and will definitely check out any PWD shoots that come out.

The Rating: *****

Guest Booker with Kevin Sullivan [KayFabe Commentaries] 



The Good
The first "Guest Booker" is arguably the best. Kevin Sullivan is excellent at explaining psychology, capable of booking in this theoretical capacity and is able to really show off his genius. I think getting into the minds of these guys can be so difficult, yet some people make it so easy. Sully is one of them. He was so well traveled and understands so many aspects of the business and sees so many holes in logic that he is able to roughly book a year and makes you really want to see it. His main stars (the premise is that Hulk Hogan is not coming) are Paul Orndorff and "Superstar" Graham with people like Ricky Steamboat, Barry Windham and the Freebirds in key supporting roles. He thinks very critically about keeping the title sacred, keeping the angles simple and building the heat for a worthwhile payoff. Like Cornette with the WCW Invasion, he recognizes the hypothetical nature of this session and does not get to caught up by that. Some talk too broadly, some don't really book much and some can really capture your attention and get their points across. Kevin Sullivan does that in what I would deem his best shoot interview performance!

The Bad
I really hate to nit-pick this because it is so excellent, but there are a few issues. One is the wide-open nature of this, which KFC reeled back on for future "Guest Booker" episodes. Sullivan cherry picks talent and there are guys he never even brings up again, so that seems unfortunate. He seems to be talking about guys as versions other than their 1984 version, specifically "Superstar" Graham, Rick Rude and even Curt Hennig to an extent. Graham had had his meltdown and was not the man of five years earlier. Rude and Hennig, while they became excellent four or five years later were not at the level that Sullivan seems to put them at in 1984. There are always little points like that in these "Guest Booker" shoots, so I shouldn't be too surprised.

The Rating: *****

Gary Hart [RF Video Shoot Interview]

The Good
This has everything and more. Gary Hart had a career that spanned from the Golden Age to the modern age, he was known for his effectiveness as a manager, his creative yet simple booking, his great eye for talent and pulls-no-punches attitude. He demonstrates all of these dimensions and convinces you of his greatness throughout this mere two and a half hour interview. In talking about managing, he explains how he was, in fact, a shoot manager who did not merely "pull legs and pass gimmicks for the office." This is the tip of the iceberg and I'd strongly recommend the "Art of Managing" interview he and Alfred Humperdink did with Wrestlingclassics.com. In talking about booking, he details his head booking runs in Dallas, Atlanta and influence in booking his men with various offices. He explains in great detail the various legendary angles and figures of World Class and how the stars were aligned to make that promotion take off. In discussing the talent he managed, Gary explains how he was successful at gaining trust, how he helped talent develop and how he successfully scouted talent time and time again. As for the more eyebrow-raising parts, Georgia promoter Fred Ward was a worthless "fat bastard," Jerry Jarrett was condescending and disrespectful to wrestlers, Paul Boesch was a great promoter but needed to be and was slapped around, Eddie Graham was an overrated and predictable booker, Sting was a self-absorbed and "arrogant ass" and on and on. Gary Hart was his opinions and free to share them and at no point do you believe he is being anything other than honest.

The Bad
I've said it before and I'll say it again, RF Video's interviewers (specifically Rob Feinstein himself) lack of interviewing skills prevents good interviews from being great and only has great interviews when the interviewee is great themselves. Gary Hart is great and although RF's bumbling and tirelessly linear questioning fails to help things, it cannot stop his greatness from shining through.

The Rating: *****

Heroes of World Class Championship Wrestling


Director: Brian Harrison
Distributor: Big Vision Entertainment
Released: 12/06

Featured Talent
Chris Adams, Skandor Akbar, Baby Doll (Nikla Roberts), Mickey Grant, Gary Hart, Marc Lowrance, David Manning, Johnny Mantell, Bill Mercer, Kevin Von Erich

The Good
This is regarded by many the definitive pro-wrestling documentary. While others have some great qualities, this one was a revelation. It told the story of World Class in a way that was open, honest and highly detailed. Brian Harrison dug deeply here and found some great stories to include in the larger story of World Class. This company grew quickly and it was not because of any one reason, but a combination of factors that are accurately tackled here. The booking was great, the talent was young and capable and often overlooked is the genius of Mickey Grant. WCCW went from a standard rasslin' show to something cool with the look and sound that Grant directed. This documentary also goes into a lot of depth with the various characters and angles that made the Sportatorium rock-n-roll in the early 1980s. Gary Hart is the star of the interviewees, but Kevin Von Erich's honesty cannot be overlooked. To top it off, they venture through the Sportatorium before it was destroyed. This is just tremendous documentary-making.

The Bad
The people featured in this documentary are fine, but it makes you wonder who could have been interviewed that was not? Obviously, there are many who are long dead, some who are recluses and others under contract to the WWE. While that may hurt the credibility of this documentary for some and they point to the WWE's World Class piece as being superior in that area, the quality of this should hush those judgements. The WWE had seventeen people, four are in both, but only really eight in the WWE's were World Class wrestlers that were good inclusions. Heroes does not have the video quality or editing of the WWE deal, which makes this look run-of-the-mill.

The Extras
This has some great stuff from deleted scenes to a number of interviews, including one with Jim Cornette. It can be difficult to include a few gems when your product is so good and while they could not do matches, they could do this and it is a nice addition.
The Rating: *****

Tributes: Remembering Some of the World's Greatest Wrestlers


Author, Ghost Writer, Editor: Dave Meltzer
Publisher: Winding Stair Press
Released: 10/01

The Good
An excellent look at a handful of deceased wrestlers that are edited and somewhat shortened versions of his WON obits. This is Dave Meltzer's strong suit because he knows things, understands things and is good at explaining things. You get a number of people from the 1950s through modern times.  I would think that even the casual fan could enjoy this as I know a couple who've read it and enjoyed it.  Meltzer is great at digging up anecdotes and putting a person's legacy into a proper perspective.  An enjoyable read from pro-wrestling's preeminent journalist and critic.

The Bad
Obviously there are a few off-facts (from what I've heard, but none stood out to me). The stories are kind of condensed and some might not like that. I really can't point much fault at this, it is what is and probably the best non-autobiographical wrestling book there is.  I know a lot of people knock Dave's writing and this is much more cleaned up than the run-on sentences laded grammatical errors, but it still has that Meltzer feel.  If you do not like WON, than perhaps you might not like this.

The Rating: *****

       

George Steele [RF Video Shoot Interview]





The Good
Sometimes I am baffled at how well an RF Shoot interview goes. I've heard a number of George Steele interviews on different shows, including 57Talk and Legends Radio, but none of them could even touch this one. First of all, he starts off with, "Do you want to
George or Jim?" Of course, the well-spoken and insightful Jim Meyers does the interview and really gives a lesson. He explains psychology, he explains leverage with promoters, he explains the logic of his career choices and he explains how he went from a serious heel to a cartoon character. All along the way, he throws is funny stories, yells at the dozing off crew and realistically sets himself up for a second shoot interview (about developing his George Steele character, his struggles with learning disabilities and his successes as a teacher/coach that ran parallel to his pro-wrestling career). RF's goofy trailers never made this seem like a top-notch shoot and it is certainly not Rob's doing, it is all the brilliance of Jim Meyers. This is a classic.


The Bad
I had thought Al Snow's second RF Video shoot was exceptional in that he really got into the meat and potatoes of psychology. While he has his own perspectives, it was enjoyable to listen to. This is along that line, but George Steele really explores his own career. The advantage he had is that his seasonal approach (summer runs when school was out for him) meant he did not have as many matches and therefore not as many angles, feuds, etc. Surely, some people would want him to spend more time on these and less on the psychology. Some people would probably prefer it the way around. Regardless, this is not hampered by all the usual RF Video flaws because the power of Jim Meyers' personality and his ability to talk and explain for hours.

The Rating: *****

Lanny Poffo [RF Video Shoot Interview]

The Good
I remember hearing a little about this interview with Lanny Poffo before listening to it. It was described as one of the best RF Shoots and I think I can agree with that. Lanny Poffo is a fantastic talker. He is eloquent, he is sincere and he has that great cadence to his voice. This is unlike any other shoot interview because Lanny is just a unique personality and he makes many of his peers seem strikingly redundant. How can you not be taken aback when a pro-wrestler is quoting Thomas Jefferson, the Gospel of Matthew and Tigger!? Lanny Poffo might not have had the type of career that makes him a "legend," but he is second-generation, brother to one of the biggest stars ever and worked in many companies with many big names. While he pulls no punches when burying people like Ole Anderson, Rick Rude and the Von Erichs, he also can give them their due. In the same token, he puts over Ric Flair, Grizzly Smith and Curt Hennig, but is able to explain their flaws as well. While I do not always agree with his viewpoints, he is certainly one who believes in them and himself and you cannot fault him for that.


The Bad
I suppose some people would find Lanny Poffo's interviewing style off-putting. He is not your typical pro-wrestler in terms of using salty language, coming across as bitter and such. He has a very distinct way of talking and explaining situations, which I'm sure some people would find obnoxious. The only knock I could make is that he gets sidetracked frequently, but luckily nothing seems to be left out. If you don't like it when interviewees go off on rants about anyone and everyone, then you might want to avoid this one. However, Lanny explains the difference between "objective" and "subjective," I realize that my view of this is "subjective" and I deem it to be amongst the best of the best.

The Rating: *****

Bob Roop ("Shooting with the Legends" Interview)

The Good
Scott Teal's "Shooting with the Legends" series is excellent in so many regards. While Scott himself is very knowledgeable and could intelligently interview any legend, he chooses the best. Bob Roop is one of a number of well-regarded stars from yesteryear that can tell great stories, share unique perspectives and pull no punches while doing so. Roop talks extensively about a number of topics, specifically his amateur background, time as an unwilling hired gun for promoters and his experiences in Florida. Although this is lengthy (about four hours), Roop is able to go all over the place and expound upon whatever he wants. He gives his honest thoughts on Eddie Graham, Gordon Solie, Buddy Fuller and several other legends. He seems very open about his abilities and inabilities, not coming across like the pompous bully he's been labelled as before. A definite highlight of this was Bob talking about his experiences abroad. Not in the common places like Australia and Japan, but also Europe and Iraq. This could have gone on another four hours and I think there'd be no shortage of material. Just a masterpiece that you've got to get your hands on.

The Bad
Certainly there are areas of Bob Roop's career that go uncovered, but I'll take omissions of his tenures in Mid-South, the Army of Darkness and so on for some of the depth and variety he shares. For someone who booked a few notable territories, he sure did not get into booking psychology much. I think Roop tried to be honest, but it seems like some of his stories do not jive well with others'. Regardless of those few negatives, I'd rate this as a top-notch shoot interview.

The Rating: *****

Art of Managing with Gary Hart & Sir Oliver Humperdink

The Good
Gary Hart was one of the greatest shoot interviews ever and I've never heard him do anything that was not excellent. Sir Oliver Humperdink, in stark contrast to his on-screen character, is pretty low-key and uncontroversial, but insightful nonetheless. Mark Nulty is generally a meticulous researcher and interviewer and this is perhaps his best effort yet. What makes a great manager? How do you get talent over? How do you get the right heat? How do you cut a "money promo"? And so on and so on, Mark Nulty puts together an orderly and provocative interview. Gary Hart carries the day here (as one would expect) and even throws a couple jabs at John Nord, Jim Ross (I think?!) and "The" Sting. Humperdink is excellent as well and cuts a great lil' impromptu promo on Dusty Rhodes. This is just great stuff and what I think Kayfabe Commentaries is largely geared toward.

The Bad
I'm sure plenty of people might find this boring. It is in-depth, thorough and not particular controversial in its commentary. While one could find this dull that is largely a matter of opinion. I personally found this riveting and cannot say much negative about it.

The Rating: *****

A Lion's Tale: Around the World in Spandex

Author: Chris Jericho, Peter Thomas Fornatale
Publisher: Grand Central Publishing
Released: 10/07 


The Good
When it was revealed that Chris Jericho was releasing an autobiography at the age of 36, it seemed strange. Although he had so far had an impressive career, Jericho had never reached that top echelon that everyone thought he would when he jumped to the WWF in 1999. This book attempted to be not a memoir of a storied career, but rather a “dreams come true” story. In that sense, it fulfilled its goal. Jericho had many obstacles to overcome throughout his career and when made his highly touted debut in the WWF, his dream came true and that’s where this book ends. So, if you’re a WWF/WWE fan, you’re going to have to wait. This book talks about his world travels and does so in the most humorous and entertaining manner that a pro-wrestling autobiography has ever done. Jericho did not intend this to be solely for pro-wrestling fans and certainly not WWF/WWE fans, but it certainly helps the enjoyment if you are the former. He breaks it up into several parts: his childhood and years on the Canadian indies, Mexico, Germany, Smoky Mountain, Japan, ECW and WCW. This comprehensive career being captured makes this a great resource. And if you know people like Dr. Luther, Drew McDonald, El Dandy and Bruiser Bedlam, this book has a different level of enjoyment. Personally, this was very enjoyable. I grew up listening to the same music, loving hockey and, of course, marking out for all things pro-wrestling, so Jericho’s references to these in jokes made this a classic for me. This was a fast and addictive read that was well composed, well edited and well organized. This is inarguably a new must-have for pro-wrestling fans.


The Bad
Jericho’s decisions to omit his WWF/WWE run, leave in kind words and photos with Chris Benoit and seek out a non-WWE publisher could all be strikes against this. Ending at August 1999, leaves this open for a follow-up that could be published by the WWE, but the issue of his partnership/rivalry with Chris Benoit is a huge stumbling block to overcome if he decides to write that book. The jokes and references may not harm this, but it certainly caters to a small crowd. Although he has stated this is not just for pro-wrestling fans, it does not seem like a book that non-fans would necessarily enjoy. Perhaps, but this is definitely not as non-fan-friendly as other books. As with any autobiography, Chris Jericho could be knocked for having a big ego or being bitter about some things, but in comparison to some of his peers, he seems like Mr. Positive. Other than those few relatively mild knocks, this book is hard to fault.


The Rating: *****

Nick Bockwinkel Shoot Interview [Smart Mark Video]

The Good
It would be an exaggeration if I said the interviewer here was top-notch, but he had clearly done his homework and simply gave Nick Bockwinkel softballs to lob out of the park again and again.  "Slick" Nick is one of my favorite promos of all-time and his eloquence and his personality both shine here.  He is not the arrogant braggart of AWA fame, he is instead humble and honest.  Very rarely do I find excuses to get away so I can listen to more of a shoot interview, but this was truly one of the greats.  Bockwinkel has seen so much and done so much that to capture it all in three hours seems like a lofty goal, but so much ground is covered, so many great tales are told and so much wisdom is shared that one cannot feel cheated by this.  From his failed college football career and early days in LA to his experiences in Hawaii, Georgia and, of course, the AWA, Bockwinkel details so much and makes it all fascinating and often funny.  Only people like Bobby Heenan, Gary Hart and Bill Watts have done enough interviews that have been able to show other sides to revered legends, which is always a treat in quality shoot interviews.  Whether he's putting over Red Bastien, Jim Barnett or some other under-appreciated name from yesteryear or giving honest criticisms of Bruiser Brody, Stan Hansen or Bill Watts, Nick Bockwinkel does not come across as a politician, a blow-hard or a bitter old man.  You, as they say, want all of this!

The Bad
My version had pretty crummy audio quality, which is always a bummer, but it was not unbearable like some other shoot interviews I've heard.  While most of Nick Bockwinkel's career was covered, his run with the WWF was not.  The questioning was really probing, but it was better prepared and organized than a typical RF Video shoot.  I received SMV's Missy Hyatt shoot as a gift and figured SMV shoots were nothing special, but this proved me way wrong.

The Rating: *****

Lipstick & Dynamite: 
The First Ladies of Wrestling
Directors: Ruth Leitman
Distributor: Koch Lorber Films
Released: 9/05
Featured Talent

Mary Aquaviva (fan), Rita Cortez-Lee, Penny Banner, Marie Bernardi, Cathy Branch, Karin Dromo, 

The Fabulous Moolah, Gladys “Killem” Gillem, Judy Grable,  Joyce Grable, Sylvia Hackney, Joe Hamilton [The Assassin], Karl Lauer (promoter), Marie Laverne, Sara Lee, Ida May Martinez, Jim Melby (referee/magazine publisher), Sputnik Monroe, Sandy Parker, Anthony Piazza (fan & collector),

Stu Schwartz (referee), Millie Stafford, Ella Waldek, Johnny Wall Jr. (Gladys Gillem's son), Bonnie Watson, “The Great” Mae Young

The Good
This may very well be the greatest documentary ever made about pro-wrestling.  It has the shocking moments like Beyond the Mat, it has the scope of Heroes of World Class, it has production value better than all of the WWE's documentaries and it succinctly investigates one dimension of pro-wrestling.  The overall feel of this is fantastic with a post-war art deco and rockabilly combination that adds greatly.  It should also be noted that much of the music is provided by Memphis-based surf rockers Los Straightjackets who are known for wearing luchador masks.  The stories and anecdotes are tremendous and only add to the overall package, although it seems likely that some great ones were left on the cutting room floor.  The stories of political maneuvering, sexual promiscuity and bitterness between the stars adds a lot of zest to this effort.  Furthermore, the openness of the ladies featured is incredible and the perfume is practically radiating through the camera lens.  The overall story is simple.  Women's wrestling went from the carnivals to arenas through the manipulation of seedy men like Jack Pfefer and Billy Wolfe, but eventually the Fabulous Moolah seized control and helped transition the control to the McMahon family where it is today.  It is interesting to hear linkage from the carnies to Vince McMahon.  There are numerous morsels of intrigue to this from the Fabulous Moolah's disturbing relationship with “girl midget wrestler” Diamond Lil to Penny Banner describing her abusive relationship with legendary babyface Johnny Weaver.  This documentary is exactly what it aims to be and it ends up being one of, if not the best documentary of its kind.

The Bad
While any documentary on pro-wrestling has its flaws, this one has very few.  Clearly, it only takes a small portion of pro-wrestling (women's wrestling) and is mostly limited to a certain time period (1940s-1980s), although it talks about the time before and after.  There is a level of kayfabe from some of the ladies that you expect from old-schoolers.  Yes, they had tough matches and yes, sometime people took liberties or went into business on their own, but there is a feeling that there was a level of shooting going on that seems implausible.  The other facet that bothers me is burying the “divas” of today, specifically those in the WWE.  One is led to believe that the women's wrestlers of today are purely sex objects with no athletic ability, but that is simply untrue.  While sex is perhaps the strongest part of the package, it is only a part and demeaning the athleticism (as opposed to the working ability) of current female pro-wrestlers is unnecessary.  The cult of Japanese women's wrestling is never acknowledged, although it was more successful and arguably better than the generation of wrestling featured here, but you can always check out Gaea Girls for that.  Another strong knock I've heard about this is that Moolah & Mae Young snatched up filmmaker Ruth Leitman and led her to believe that they were the pioneers of women's wrestling, so people outside the clique like Penny Banner and others did not get accurately depicted.  Thankfully Penny has a book out and I'm sure it is much better and more credible than Moolah's.  Overall this documentary is excellent and an example for any that follow it.

The Rating: *****

Hitman: My Real Life in the Cartoon World of Wrestling

Author, Ghost Writer, Editor: Bret Hart
Publisher: Grand Central Publishing
Released: 11/09

The Good
It has been said that you really have to be a Bret Hart fan to enjoy his matches, his commentary and his legacy. This book in its great detail, accuracy and honesty is one that someone whose not a fan of Bret Hart could enjoy. It seems as though most any pro-wrestling fan could find something to enjoy in this book. There is the story of the Harts, the early years on the road, the up-and-down years in the WWF, the WCW debacle and Bret Hart's post-career struggles. Normally the “growing up” section in a pro-wrestling book is hit-or-miss, but this is unique. The saga of the Hart family from the lean years in which the kids grew up and the wildness of being a wrestling family to the mind-boggling tragedy and harsh splits make for good reading. More casual fans will certainly be satisfied with the time given to the WWF and WCW years, in which Bret Hart's legacy was established (and perhaps severely tainted). It could be argued however that what sets this book apart is the attention given to some rarely detailed places. Bret Hart's accounts of wrestling in Puerto Rico, Britain and Japan are fantastic as he has great tales to tell and actually talks about the people. Fans with a deeper knowledge can appreciate these parts, while casual fans should not be bored with them. It is nice to read a book by someone who could really name-drop, but he chooses to acknowledge some of the forgotten names of the past. There is definitely good voice to this autobiography and since Bret Hart was never really the most charismatic promo, the format of a book work best for him. His shoot interviews and such are interesting, but referring to his notes and expert editing helps create a uniquely excellent product. This is certainly a must-read for any pro-wrestling fan.

The Bad
When Bret Hart first began talking about publishing his autobiography, he spoke of an extensive trilogy. This seemed like a publisher's nightmare and unsurprisingly it did not come to fruition. It is unfortunate because Hart's detailed notes of the past make for an autobiography that is exceptional. This boiled down version (over 500 pages no less) is great, but it makes one think about the possibilities that could've been. As for the problems with the actual book that was released, Bret Hart could perhaps come across as a bitter old-timer with a warped view of the past. Oddly this was his gripe with the Dynamite Kid's book. The Montreal Screwjob, the death of Owen Hart, the fallout with Vince McMahon and the sudden ending of his career all come across as one would expect with Hart's long held perspective being detailed and supported more articulately than in previous interviews. Depending on your perspective, Bret Hart could come across as bitter as he has for years. If you agree with Hart on all these accounts, then that is probably not an issue. What may color your view of Bret Hart are his many infidelities and attempts to justify them. While many autobiographies probably dodge this issue, Bret Hart goes into great detail about his major vice on the road. Like Jerry Lawler, it makes him seem like a braggart at times, but unlike Lawler he does not seem as pathetic about clinging to that past of sexual conquests. He seems brutally honest about that part of his life and shares stories of drugs, booze and steroids that apply not only to him, but his friends, family and co-workers.

The Rating: *****

Behind Closed Doors with Kevin Sullivan [RF Video]

The Good
Kevin Sullivan is easily on my top ten shoot interviewees' list.  A big part of it is his personality - he is funny as hell, tells tales in a captivating way, does wacky voices and seems quite frank about everything.  What makes him different from other strong personalities of shoot interview notoriety (Jamie Dundee, New Jack, Honky Tonk Man, Raven, etc.) in that he had an exceptionally varied and successful career.  From Atlanta to Knoxville and Florida to Alabama, Kevin Sullivan has been all over and been a top star and/or creative force in all those places.  Aside from his booking prowess, Sully can has a deep understanding of the business and pro-wrestling psychology that he can explain better than almost anyone.  That makes this gold!


The Bad
RF Video...will you ever get your act together.  While they don't have to work hard with Kevin Sullivan, you really hunger for a real probing interviewer.  One who can ask tough questions, guide the interview and seems to have done some real research.  Luckily, Sully is so great that RF's inadequacies matter little.

The Rating: *****

KC Guest Booker - Jim Cornette "Re-booking the Invasion"

The Guest Booker series is really hit-or-miss. The goal of Kayfabe Commentaries is to expose the creative mind of the booker. Some do well, some do not. While the scenarios are getting better, the pool is theoretically diminishing.

Jim Cornette is a shoot interview god. He is vulgur, he is honest, he is funny, he is insightful, he flings mud, he gives great compliments to his peers and that is why this one was a must-see. He rants and raves, but really gets at the core of several issues. One is booking vs. writing. One is the "funny doesn't draw money" concept. Another is the idea of building young talent and long-term vision in a company. Unlike other guest bookers, Corny did some homework. He did enough to make a good showing, but not so much that his thought process is not on display.

Cornette, along with J.J. Dillon, Raven, Bill Watts and a select few others is one of those shoot interviews that I want to never end.

This is the proverbial "lightning in a bottle."

Rating: *****

In honor of Bret Hart's return to live WWF/WWE television, here's a review of his WWE distributed documentary and DVD set from 2005: 

Bret "Hitman" Hart: The Best There Is, The Best There Was, The Best There Ever Will Be

Director: Kevin Dunn

Released By: WWE Home Video
Release Date: 11/05

Featured Talent: Animal, Steve Austin, Chris Benoit, Jerry Brisco,Christian, Bret Hart, Jimmy Hart, Steve Lombardi, Vince McMahon, Gene Okerland, Roddy Piper, Bruce Pritchard, Jim Ross

The Good

The Bret Hart story is one of the most fascinating in pro-wrestling and this WWE production with Hart's close involvement does a respectable job. His early years are covered in pretty good depth, which is not often the opposite in these documentaries. It talks about his amateur background, his legendary father and shows more Stampede than you would expect. Although it is in highlight form (Stampede's library is limited), it focuses on his greatest rivals, which are consequential some under appreciated talents like the Kiwis (later known as the Bushwackers), Bad News Allen, The Stomp, David Schultz and it shows plenty of the Dynamite Kid. Then his legendary thirteen year run with the WWF is covered in great depth. From his early days as a near jobber and later half of the extremely talented Hart Foundation, his abilities as a young worker and heel are displayed. Then his singles days as the “excellent” Intercontinental Champion workhorse, the unlikely World Champion and then the superstar in his prime. This climbing-the-ladder story is a simple and frequently used one on the WWE documentaries, but it plays well here because it is a drawn out story. After he reached the pinnacle, it discusses the many hardships that befell him – unexpected hatred from the American fans, the Montreal screwjob, his pathetic WCW run, the death of Owen Hart, his sudden retirement and his stroke in 2002. The documentary stays away from the numerous deaths that Bret experienced over the last ten years and that prevents this from becoming too morbid, although the DVD Extras has a nice piece about Bret's dead colleagues. This a well put together DVD package and it has many great matches to boot. The star commentary here is from, not surprisingly, Bret Hart himself and the DVD Extras add some of the bits that couldn't neatly fit into the documentary.

The Bad

In these WWE documentaries there is often a lack of duality to the commentary. Bret Hart really believes in his legacy and he is the overwhelming presence here and not many other views squeak into the story. Vince McMahon and Jim Ross provide some good perspective, but they are not exactly critics of Bret Hart. This is not surprising because it was a tricky operation to put this DVD package together. There is a shocking lack of diversity to the commentators though, which is tragic. None of his family members are featured, most notably Jim Neidhart, there is a lack of Stampede personalities and even old veterans (Nick Bockwinkel, Harley Race, etc.) who could have been interviewed. There is plenty of Ed Whalen in the Stampede highlights, which is unfortunate because it makes the product seem so far league. Otherwise, this is a solid documentary and a great DVD package.


The Rating: *****